Thursday, April 21, 2016
The Hateful Eight
Admittedly, the trailer to this movie didn't impress me at first. So I finally got a chance to see what all the buzz was about. The Hateful Eight is an impressive and solid Tarantino movie with the best cast of many of his previous movies. Yes, there's significant blood and violence and unexpected moments in Tarantino fashion. But much more, it is a strongly, dialogue driven, who done it mystery with the seemingly simple premise that unravels like a ball of yarn attached to dynamite. All the best moments of Tarantino films are there, intertwined with the usual talents of Sam Jackson, Tim Roth, Michael Madsen, Bruce Dern and Kurt Russell back at the table. Anchor this to no less impressive performances in Jennifer Jason Leigh and Walter Goggins (I'm so fuckin' glad this talented dude from tv's Justified got a chance to shine on the big screen). I certainly wouldn't say it's the absolute best Tarantino film, but I certainly appreciate what he was trying to pull off. The ensembles pieces of the old classic dialogue and mystery films and even what I discerned was a kind of reunion with his own earlier classics like Reservoir Dogs in particular, were what I really personally appreciated the most about The Hateful Eight. Like, he was also going back to his own stylistic roots. It of course, has it's flaws. The unfolding of the plot falls off a bit 3/4 of the way in and kind of erodes away the slow burn of character revelation and development, that certainly could have rounded out the overall story arch. Tarantino has certainly been guilty of that before. I get it. He and we as the audience are like a kid in the candy store gone wild after discipline has been sustained for too long. As in Django Unchained, Tarantino is still flirting with the slavery and Civil War ashes of the 19th century in America and still gives Sam Jackson some of the best and funniest moments of the film (perhaps as a sort of redemption for his Uncle Tom gone wild character in the previous).
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